Saturday, May 2, 2026

Review: 100 Feet (2009)



Review:100 Feet (2008)

By William Pattison

This time I got my number one favorite Ghost film of the past decade, done by the film genius, and that is my informed opinion, Eric Red…

A young woman, Marnie Watson, is granted early release from her prison sentence for manslaughter (killing her husband - a violent NYC cop - in self defense) on condition she wear an electronic ankle bracelet and remain within her home, effectively under house arrest, for the remainder of her sentence. Her late husband's partner keeps tabs on her from a patrol car parked across the street, hoping she'll violate probation and he can send her back to prison. But the 100-foot radius her ankle bracelet allows isn't the worst of her problems.

Now, to start out with, if you want to be completely blown away you need to track down and buy a copy of the Hollywood Video Exclusive Unrated version of this film because the mere two and a half minute of additional footage elevates this film to genius level. You jaw will literally drop and you will be stunned. It is the definition of brutal perfection. It makes Negan’s murderous introduction in The Walking Dead look cute and cuddly by comparison. I kid you not.

So, this is filmmaker, Eric Red’s violent and claustrophobic masterpiece about a woman, played brilliantly by Fanke Jameson, who is trapped in her brownstone where a year before she freaked out and cut the head off her abusive cop husband. She is trapped because she is tethered to the house by an electronic bracelette around her ankle that only allows her to go one hundred feet in any direction or an alarm goes off and she is only allowed one minute to get back into the one hundred toot zone or the police will come and take her to prison. But she is unaware that she is not alone. The vengeful spirit of her husband is also tethered to the brownstone and is going to use her for his personal punching bag.

Also, added into the mix is her husband’s partner who thinks the wife didn’t kill her husband but is being bullied into silence by the “real” killer. As well is a young delivery man who falls for her … but you have to watch the unrated version to truly appreciate his fate.

Eddie and the Cruisers star Michael Pare plays the spirit of the dead husband, but you would not recognize him with the freaky ghost FX that Eric Red Co seals him underneath. You actually only get to get a clear look at him at the very end of the film.

But, when it comes down to it this is Famke’s film and she is literally put through hell throughout this nightmare of a film.

Years ago I had Eric Red on my Podcast, An Awakening of Horror and we spent over two and a half hours discussing this film. Eric praised it as the best interview of his career.

But, I’m not mentioning the interview just to pat myself on the back, though I deserve it. It is because Eric talked about how he manipulated Fanke to get the incredible performance out of her. He literally made her hate Michael Pare and at the end of the shoot she even ended up punching him in the face to get rid of the anger and stress she was under, though for all I know this might be an amusing fiction on Eric’s part. For me, I can believe it.

But once again I heartily suggest you see the uncut version because you

Literally get to see a human being broken into a bag of mush wíth all the yummysnapping and crushing sounds and closeups of limps and

 ribs breaking…spoilers !!!... Now that is a party!!!

 


Friday, May 1, 2026

Review: Last Shift (2014)



Review:Last Shift (2014)

By William Pattison


This time I got a remake of a 1990 film that started the horror subgenre that inspired The Innkeepers.

A Manson-inspired horror film centering around a transitioning police station. Officer Jessica Loren has been assigned to wait for a Hazmat team to pick up bio-hazardous waste from the station's armory. But unbeknownst to Jessica, cult Leader John Michael Paymon has haunted the department ever since he and two of this followers committed suicide a year ago to date. And now, Jessica is about to find out how dangerous they can be when she's left alone on this Last Shift.

 The Last Shift subgenre of horror started actually with the infamous grind house film, Day of the Woman, aka I Spit on Your Grave  In this film a woman must survive against a gang of psychopaths. In 1990 this idea was taken into the ghost genre of horror with the release of the first of many The Last Shift films, which have a woman having to survive being stuck either haunted business or government office location that has had a bloody past… pretty munch The Shining meets I Spit on Your Grave. So far, from what I can tell there have been six The Last Shift themed horror films that include the remake of the first The Last Shift, which I’m  now reviewing as well as The Innkeepers, which I’ve  already reviewed. All these films either have a revenge subplot or a satanic one. They all have ghosts that torture and either drive the female lead insane and eventually lead them to their death and their souls being trapped in the location.

These films are heavy in jump scares and psychological horror. The ghosts start out as looking human and are usually looking for the person to help or theyprovide the person with their stories. But once the story is told they turn malevolent. In the case of this film, Last Shift, as with the original the filmmakers connected the story to a Manson-like cult that swore vengeance on the main character’s family and it is because the lead character who decided to become a police officer, like her father, that puts her into this paranormal powderkeg. This is much like the main character in The Innkeepers with her obsession with paranormal investigation.

Even though a lot of reviewers try to say the acting of the lead actresses of these films are bad, I have to disagree. It is in the end that the performances of these actresses that support the entire production, not just the freaky ghost makeup. Without these actresses going heavy on emotions and making the audience feel the feelings and stress these films wouldn’t work as well as they do. It takes a special actress to go through the amazing about of stress these roles can put an actress through. It is far less as easy as they make it look. In fact I’ve  heard stories that some of these actresses have had to have therapy after finishing one of these films.

So, with all this said, I have to say that the remake of The Last Shift is REMAKETACULAR!!!



Sunday, April 26, 2026

Review: Jacob's Wife (2021)




Review:Jacob’s Wife (2021)

By William Pattison


This time I got a feminist vampire movie staring Barbara Crampton…

 

Anne, married to a small-town Minister, feels her life has been shrinking over the past 30 years. Encountering "The Master" brings her a new sense of power and an appetite to live bolder. However, the change comes with a heavy body count.

Now let me start out by saying this review is an update of the original review I did on the original Horror Bob’s Blog on Overblog five years ago, and five years is not that long amount of time for a movie. Unfortunately, this film is not aging at all well, I was actually nice when I originally reviewed this film all those years ago, but years of social justice and “THE MESSAGE” has made me less then sentimental. All the annoying blemishes in this film are now blazingly clear.

This film, which was basically a feninistist Fright Night ripoff has now become far less entertaining and more like nails on a chalkboard. The supposed humor is not at all funny and the big bad in the film, “The Master” is not at all scary and is just a vehicle to lecture in your face about the slavery of women by men…Seriously people! This film makes the remake of Fright Night look fantastic and preferable…and I HATE the Fright Night remake with a passion. This film makes me feel sorry for Barbara Crampton for having to be associated to this turd. The poor woman had to work overtime to hold this production together.

So, unless you have pink, blue, or green hair and haven’t shaved your legs since 2020 you will not enjoy this film. This film is like a teenager who had nasty skin issues…it is full of unattractive pock marks…

So, here is a question…How do you end an update review of an in your face feminist vampire film?  You get in your face…

So it is now time for me to get in YOUR faces. I stopped giving sugar coated reviews years ago after dealing with the crap The Soskas were putting out and reading other review sites saying “This is one of the best films to come out in the last five years. It is not a perfect film but still it is genius…” GIVE ME A FUCKING BREAK!!! It’s  like calling a turd in a punch bowl a Baby Ruth!!! If it is a turd it is a turd. A genius film by calling it such means it is a perfect film. To call an imperfect film genius is to show that you are a complete fucking idiot.A genius film is a film that is perfect and cannot be improved because it is perfect Already. Point made. In your face rant over. Remember that Rue Morgue and Dread Central… Stop shooting yourselves in the foot. You people are getting paid by the fans…I’m  not.


Saturday, April 25, 2026

Review: The Laughing Mask (2014)




Review: The Laughing Mask (2014)

By William Pattison


This time I’ve got a film with a bad guy who deserved a better movie…

A grisly murder perpetrated by a deranged killer, Jake Johnson's wife and daughter were murdered by a Psychotic vigilante only known as The Laughing Mask. As the police look for clues and the body count begins to rise, Johnson will play a dangerous game in order to avenge his family' death.

As I said above The Laughing Mask killer definitely deserved a better movie then he got. I really liked this killer, he had potential, That mask alone is iconic. unfortunately he got stuck in this film, even though it bares his name. The problem with this film is the low budget production value and a cast full of uneven and bad performances.  Laughing Mask is too good a character. I really liked the style of the character. But he is stuck in this movie and it is a waste of a good slasher. Oh, well…

So if you want to see a slasher that needs a far better sequel, this is the film you should check out.

You can find this film on Tubi TV and Fawsome…


Friday, April 24, 2026

Review: Mirrormask (2006)




Review: Mirrormask (2006)

By William Pattison


This time I got a dark fantasy that was written by Neal Gaiman, the writer of Sandman….

Helena, a 15-year-old girl in a family of circus entertainers, often wishes she could run off and join real life. After a fight with her parents about her future plans, her mother falls quite ill and Helena is convinced that it is all her fault. On the eve of her mother's major surgery, she dreams that she is in a strange world with two opposing queens, bizarre creatures, and masked inhabitants. All is not well in this new world - the white queen has fallen ill and can only be restored by the MirrorMask, and it's up to Helena to find it. But as her adventures continue, she begins to wonder whether she's in a dream, or something far more sinister.

So, what do you get when you team the Henson company with Neal Gaiman? You get an overflow of unique creativity. This fantasy film is on another level when compared to other films in this genre. This film is actually unique when it comes to the work of Henson because it doesn’t rely on puppetry. I stead this film uses multiple styles of animation to create this world and its creatures. As well the music track for this film is extremely chaotic and experimental. It actually makes the music itself a character in this story.

Neal Giaman explores the concepts of duality as well as identity in that uniquely Giaman way and in that way makes this one of his more intriguing projects. This is one of Giaman’s works that doesn’t seem to get enough love. Mainly because this film is an insane mix of style, twisted creativity, with a strong dose of intellectuality that can be easily missed in all buy multilayered visuals. Still, this is a film you could watch a hundred times and still not catch everything. This one is truly one of Giaman’s best works.

This is a film that is a must see…


 

Sunday, April 19, 2026

Review: Meridian, Aka Meridian: Kiss of the Beast (1990)



Review: Meridian, aka Meridian: Kiss of the Beast (1990)

By William Pattison

This time I’m reviewing Charles Band’s Beauty and Beast tale that was one of the opening Full .Moon Films.

An American heiress returns to her ancestral Italian castle where a traveling carnival brings performers who hide ancient evil beneath their smiles. Shadows pool in gothic arches as two women drink wine that burns with betrayal, their bodies becoming contested ground between a magician's hunger and a beast's cursed existence. The castle breathes with memory; portraits watch. Catherine moves through corridors where past and present bleed together, her inheritance proving more than stone and title. She must choose between breaking centuries of punishment or preserving her own survival.

 This was the second release from Charles Band’s newly formed Full Moon Pictures, after the popular Puppet Master. This was the only attempt to do a hard core fantasy film by Full Moon. It is also one of the better of the early Full Moon films with its dark fantasy, psycho sexual style

This film features the iconic Italian Park of Monsters, which was also featured in the classic Christopher Lee horror film Castle of the Living Dead. In many ways this film is a sequel to the Lee classic.

Sherilyn Fen plays Catherine, the kove interest of Oliver, aka The Beast. This film features an intense sex scene between Catherine and The Beast as well as a rape scene with Charlie Sprdling, who plays Catherine*s friend and will be the future Full Moon spokes girl.

Also, the beast costume was so well constructed that years later Francis Ford  Coppella reused it with a few minor alterations in Bram Stocker’s Dracula.

The only unfortunate thing about this film is the ending is so predictable and fast that it is so unsatisfying given the rest of the film. Also, unfortunate is that Full Moon bever did another dark fantasy film. The only film even close to this film is castle Freak and it is not even close to the style of this film.

So, if you want to see a rare attempt by Charles Band to do dark fantacy this is your film.



Saturday, April 18, 2026

Review: Frankenstein Island (1981)



Review; Frankenstein Island (1981)

By William Pattison

This time I got a 1981 Frankenstein film that stars John Carradine

Frankenstein Island (1981)


When a hot air balloon crashes on a remote island, the crew discovers Dr. Frankenstein's descendant, Dr. Sheila Frankenstein, carrying on the family work, along with a race of mutants and a population of Amazon warriors. Somehow, the Frankenstein Monster is also thrown into the mix.

If there was ever a film that entiplifies the word absurd this is the film. The fact that this film was made and came out in the era that brought us Star Wars and ET shows just how insane this film is because this film is literally a film that is out of time. It is a film that should have come out on the late 60s, not 1981. The production values, music, storyline, andacting look at least 15 years out of date .

One time horror icons John Carradine and Cameron Michelle had to have been royally in need of money to have accepted the roles they ended up with. John Carradine plays Doctor Frankenstein, who is now a cult leader who has died and cames back as a projectíon who spouts monologues. Cameron Mitchelle plays a crazy man who spouts quotes from Edgar Allen Poe and morns his dead Lenore and stalks one of the tribal women that supposedly looks like her

Oh, and Frankenstein’s monster shows up atOne point for no good reason, but it is the best part of the movie bevause the gentleman who was playing the monster did a picture perfect performance of the classic James Whales Frankenstein monster. Boris Karloff what be proud. Unfortunately, the rest of the film is just plain weird and badly acted and produced. This film is FRANKENFREAKY and you will need a ton of pot and acid to make sense of this funky throwback to the time when hippies ruled the world…in no ways an 80s film…